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Yachukat (@yachukat) Instagram Profile Photo yachukat

Yachukat

 image by Yachukat (@yachukat) with caption : "I used to go to a bookstore everyday just to leaf through the pages of this book. Expensive AF, but it was beautiful to " - 1909643784516213101
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I used to go to a bookstore everyday just to leaf through the pages of this book. Expensive AF, but it was beautiful to behold and touch. It became a ritual of sorts, of reading it during lunch, until it was actually bought by someone else. Currently out of print, the photograph above is just something I got from the interwebs, still too expensive AF for me to buy. #pierrejosephredoute

 image by KOTO (@living_in_winterland) with caption : "My new collection 🌹
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いつものアンティークショップでまた買っちゃいました❗ケーキの受け皿に使おう❗😊
🇸🇪に来られた際は観光地のお土産やに行かないでアンティークショップに行くことをお薦めします❗😊
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#antiq" - 1908946769792570115
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My new collection 🌹 . いつものアンティークショップでまた買っちゃいました❗ケーキの受け皿に使おう❗😊 🇸🇪に来られた際は観光地のお土産やに行かないでアンティークショップに行くことをお薦めします❗😊 . . #pierrejosephredoute

Kat McHale (@rogue__kat) Instagram Profile Photo rogue__kat

Kat McHale

Honey Paper|Michelle F. Castle (@honeypaper) Instagram Profile Photo honeypaper

Honey Paper|Michelle F. Castle

 Instagram Image by Honey Paper|Michelle F. Castle (@honeypaper) with caption : "Wednesday inspiration. 
#Repost @aradergalleries_
・・・
Pierre Joseph Redoute (1759-1840). Bouquet of white and pink roses" at Honey Paper - 1907608448955415541
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Wednesday inspiration. @aradergalleries_ ・・・ Pierre Joseph Redoute (1759-1840). Bouquet of white and pink roses with a single bright red anemone, on a black ground. Signed and dated lower right Watercolor on vellum c. 1832 Single sheet vellum, framed (13 x 9 4/8 inches; framed size: 15 4/8 x 12 2/8 inches). While the first quarter of the nineteenth century was dominated by his work on Les Liliacées and Les Roses, Redouté also produced a selection of other original works not necessarily destined for re-creation in published form. Some of these watercolors were additional studies from the Empress Joséphine's gardens at Malmaison, as is most probably the case with Redouté's paintings of the Calomeria Amaranthoïdes, Metrosyderos lophanta, and Hibiscus here illustrated. These exhibit the same virtuosity as his studies for Les Liliacées and Les Roses, showing the same hallmarks of a white vellum background and bluegreen leaves that Redouté so favored. Redoute was first brought to Royal patronage by Marie-Antoinette in 1788 when she appointed him Dessinatteur du Cabinet de la Reine and granted him access to the Petit Trianon. From then until the end of his long life Redoute weathered the political storms of France with remarkable ease "he survived the difficult years of the Revolution and the Restoration and found approval with all the rulers who changed in quick succession" (Hinz). However it was ten years later that his most creative period began under the patronage of the Empress Josephine when she acquired the Malmaison Chateau in Rueil, south of Paris: "she was passionately interested in botany and horticulture, and the design and layout of the Malmaison chateau garden became her personal concern. She went to great efforts to collect beautiful and rare plants from all over the world and to cultivate them in her gardens…" (Hinz). #PierrejosephRedoute

Monika Ardila (@mo_anhe) Instagram Profile Photo mo_anhe

Monika Ardila

 image by Monika Ardila (@mo_anhe) with caption : "Still life with fruits #pierrejosephredoute #taschen #selectionofmostbeautifulflowers" - 1907450068530052447
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Still life with fruits #pierrejosephredoute

Monika Ardila (@mo_anhe) Instagram Profile Photo mo_anhe

Monika Ardila

 image by Monika Ardila (@mo_anhe) with caption : "Bouquet of peonies #pierrejosephredoute #taschen" - 1907448810507115523
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Bouquet of peonies #pierrejosephredoute